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26 June, 2013

Index by Period

Late Romantic Period
(1850 - 1900)

The Late Romantic period saw the blossoming of self-expression in music. This was especially evident in the music of Tchaikovsky, which reflected the inner turmoil and anguish of his life. Many composers felt that by the time Wagner died, Romanticism had reached its limits of expression. Toward the end of the Late Romantic period, many new and diverse musical styles began to emerge - notably, the nationalism of composers such as Sibelius and Elgar, the impressionism of Debussy and Ravel, and the atonal modernism of Schönberg.

Grand opera was perhaps the greatest legacy of the Late Romantic period. In terms of content, there was a world of difference between the deep, psychological subtexts of Wagner's epic operas, Verdi's dramas of human passion, and Puccini's realistic portrayals of everyday life. But there was one element common to nearly all grand opera, namely a dramatic unfolding of events usually ending in tragedy. Wagner's musical drama Tristan and Isolde is arguably the clearest expression of Late Romantic grand opera.

contributed by Gifford, Katya



Composers Related Articles
Isaac Manuel Francisco Albéniz
Georges Bizet
Alexander Porfiryevich Borodin
Johannes Brahms
Max Christian Friedrich Bruch
Anton Bruckner
Hans von Bülow
Emmanuel Chabrier
Léo Delibes
Frederick Delius
Antonin Dvorák
Edward Elgar
Gabriel Urbain Fauré
Louis Moreau Gottschalk
Charles-François Gounod
Edvard Grieg
Leoš Janácek
Franz Lehár
Gustav Mahler
Pietro Mascagni
Jules Massenet
Modest Petrovich Mussorgsky
Jacques Offenbach
Sir Charles Hubert Hastings Parry
Giacomo Puccini
Sergei Rachmaninov
Nikolai Rimsky-Korsakov
Anton Grigoryevich Rubinstein
Camille Saint-Saëns
Jean Sibelius
Bedrich Smetana
John Phillip Sousa
Richard Strauss
Johann Strauss II
Franz Strauss
Arthur Sullivan
Franz von Suppé
Pyotr Tchaikovsky
Giuseppe Verdi
Richard Wagner
Romantic Art
Ballet


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