HumanitiesWeb HumanitiesWeb
WelcomeHistoryLiteratureArtMusicPhilosophyResourcesHelp
Periods Alphabetically Nationality Topics Themes Medium Glossary
pixel
HumanitiesWeb.org - Narrative Painting

Art
Sort by Period
Sort Alphabetically
Sort by Nationality
Topics
Themes in Art
Medium
Glossary

Search

Get Your Degree!

Find schools and get information on the program that’s right for you.

Powered by Campus Explorer

& etc
FEEDBACK

(C)1998-2013
All Rights Reserved.

Site last updated
26 June, 2013
Narrative Painting
Recently, in discussing the passing of the nude figure as a common subject matter in art, it occurred to me that another type of painting has become even more rare. When was the last time you saw a newly created piece of artwork done in a narrative mode? The fact is, that narrative painting is so rare today I find myself needing to define exactly what narrative painting is. I guess, to put it into today's vernacular, it's Friends or The X Files rendered in paint on canvas. It's story-telling art, and the very fact that I have to use TV shows to describe it says a lot about why Narrative Art is no longer with us.

The much-maligned Norman Rockwell was probably the last of the great narrative painters. It's no accident that the end of his career coincided quite closely with the advent of story telling in the electronic mode. A long artistic tradition dating as far back as cave painting with its wild animal hunts, up through Egyptian and Medieval wall painting, to Jan van Eyck's Marriage of Giovanni Arnofino, Michelangelo's Genesis on the Sistine ceiling, and European/American Genre painting, has come to an end in our lifetime. Worse than that, this type of painting has fallen into such disrepute amongst artists that no one feels the least bit sorry to see it go.

There is left remaining only two last vestiges of this art in the world today in two widely divergent and relatively minor areas. One is the highly refined and dynamically imaginative art of the comic book, usually of the super-hero/science fiction variety; while the other is a relic of the fine art of history painting in the form of works depicting exploits of military combat. Both of these have to be included in the realm of fine art, given their popularity and their collectibility (albeit narrowly focused) in various archival forms amongst the highly devoted individuals who admire such things. Both genres have long, colourful tradition of artistic development with comic book art stretching back almost one hundred years, and combat artist having painted every conflict from the Punic Wars to Desert Storm. For better or worse, neither of these forms of story-telling art seems in danger of demise.

Contributed by Lane, Jim
9 October 1998

Personae

Terms Defined

Referenced Works