N.C. Wyeth : A Biography
An American painting dynasty is portrayed in this huge, riveting biography of N. C. Wyeth.
His name summons up our earliest images of the beloved books we read as children. His illustrations for Scribner's Illustrated Classics (Treasure Island, Kid-
napped, The Last of the Mohicans, The Yearling) are etched into the collective memory of generations of readers. He was hailed as the greatest American illustrator of his day. For forty-three years, starting in 1902, he painted landscapes, still lifes, portraits, and murals as well as illustrations for a long shelf of world literature. Yet he proclaimed "the uselessness of clinging to illustration and hoping to make it a great art." He judged himself a failure, believing that illustration was of no importance.
Despite his dark complexion, he was a towering figure of gargantuan appetites and physical power. His passions were rooted in the nineteenth century. He made adventure, nature, and "the vastness of things" his earliest personal themes. America was his canvas.
David Michaelis's biography of N. C. Wyeth tells the story of his family through four generations. It is
a family saga that begins and ends with the accidental deaths of small boys, a gothic tale that shows how
N.C., while learning to live a safe and familiar domestic life, endangered himself and his children by concealing part of the family legacy--depression, suicide, incest.
We see how his mother's emotional instability and his father's strictness set the stage for his profoundly divided personality. He found in fatherhood the foremost expression of his character--trying to create in the Wyeth homestead his dream of childhood at its most enchanting. He held his children enthralled through their adult lives. He persuaded his inventor son, Nat, to live at home, shepherded his daughter Ann's career as a composer, and taught his three other children--Henriette, Carolyn, and Andrew (N.C. was Andrew's only teacher)--to paint.
The illustrations that N. C. Wyeth undervalued
are now regarded as American classics--the paintings that appeared in Treasure Island, Kidnapped, and The Last of the Mohicans are in museums, joining, as John Updike wrote, "the mainstream of American easel painting."
His work lives. The artist himself is brought alive in David Michaelis's fully realized portrait of this huge-spirited, deeply complicated man, his family, and an America that was quickly vanishing.
One Nation : Patriots and Pirates Portrayed by N.C. Wyeth and James Wyeth
From approximately 1912-1945, when the renowned illustrator N.C. Wyeth was most active, the country was fighting under the American flag, the symbol of freedom. Patriotism was every citizen's duty, and N.C. Wyeth's work epitomized all that was American. By the time Jamie Wyeth came of age, the country was once again at war, but to some "patriotism" no longer meant marching off to battle but marching in protest. The contrast between these two eras comes alive in vibrant art of two generations of Wyeths, augmented by provocative essays on the subject by Brokaw, Michaelis, and Smith.
Visions of Adventure: N. C. Wyeth and the Brandywine Artists
(John Edward Dell)
As famous in their day as the authors whose stories they illustrated, the six artists profiled in this nostalgic collection-N.C. Wyeth, Howard Pyle, Harvey Dunn, Frank Schoonover, Philip R. Goodwin and Dean Cornwell-used their unique talents at narrative depiction to bring to life places and times in ways no modern medium has surpassed. Vividly reproduced directly from the original paintings that illustrated the pages of popular books and magazines of up to a century ago, many of the pictures are seen here for the first time, just as the artists painted them. The paintings presented in this handsome volume lured readers to the exciting adventure tales of buccaneers and cowboys, hunters and outlaws, pirate fiction and historical romance written by Robert Louis Stevenson, Arthur Conan Doyle, James Branch Cabell, and other favored writers of the day. Although commissioned to illustrate the written word, these storytelling works of art can stand alone. No text is needed to understand the drama of Howard Pyle's Dead Men Tell No Tales, N. C. Wyeth's The Magic Pool, Frank Schoonover's A Northern Mist, and the dozens of other captivating paintings presented here.