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Site last updated
13 January, 2012
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The Cradle
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One of the few successes of the first Impressionist exhibition, The Cradle appealed as much by virtue of its subject matter as by its style. What is essentially a portrait of Morisot's sister, Edma, looking at her newly-born second child, can also be seen as being somewhat in the tradition of a 19th-century sentimental painting. |
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