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Mark Twain, A Biography Vol II, Part 1: 1875 - 1886|
CLV. Days With a Dying Hero
by Paine, Albert Bigelow
|The contract for the publication of the Grant Life was officially closed
February 27, 1885. Five days later, on the last day and at the last hour
of President Arthur's administration, and of the Congress then sitting, a
bill was passed placing Grant as full General, with full pay, on the
retired army list. The bill providing for this somewhat tardy
acknowledgment was rushed through at the last moment, and it is said that
the Congressional clock was set back so that this enactment might become
a law before the administration changed.
Clemens was with General Grant when the news of this action was read to
him. Grant had greatly desired such recognition, and it meant more to
him than to any one present, yet Clemens in his notes records:
Every face there betrayed strong excitement and emotion except one-
General Grant's. He read the telegram, but not a shade or
suggestion of a change exhibited itself in his iron countenance.
The volume of his emotion was greater than all the other emotions
there present combined, but he was able to suppress all expression
of it and make no sign.
Grant's calmness, endurance, and consideration during these final days
astonished even those most familiar with his noble character. One night
Gerhardt came into the library at Hartford with the announcement that he
wished to show his patron a small bust he had been making in clay of
General Grant. Clemens did not show much interest in the prospect, but
when the work was uncovered he became enthusiastic. He declared it was
the first likeness he had ever seen of General Grant that approached
reality. He agreed that the Grant family ought to see it, and that he
would take Gerhardt with him next day in order that he might be within
reach in case they had any suggestions. They went to New York next
morning, and called at the Grant home during the afternoon.
From the note-book:
Friday, March 20, 1885. Gerhardt and I arrived at General Grant's
about 2.30 P.M. and I asked if the family would look at a small
clay bust of the General which Gerhardt had made from a photograph.
Colonel Fred and Jesse were absent to receive their sister, Mrs.
Sartoris, who would arrive from Europe about 4.30; but the three
Mrs. Grants examined the work and expressed strong approval of it,
and also great gratification that Mr. Gerhardt had undertaken it.
Mrs. Jesse Grant had lately dreamed that she was inquiring where the
maker of my bust could be found (she had seen a picture of it in
Huck Finn, which was published four weeks ago), for she wanted the
same artist to make one of General Grant. The ladies examined the
bust critically and pointed out defects, while Gerhardt made the
necessary corrections. Presently Mrs. General Grant suggested that
Gerhardt step in and look at the General. I had been in there
talking with the General, but had never thought of asking him to let
a stranger come in. So Gerhardt went in with the ladies and me, and
the inspection and cross-fire began: "There, I was sure his nose was
so and so," and, "I was sure his forehead was so and so," and,
"Don't you think his head is so and so?" And so everybody walked
around and about the old hero, who lay half reclining in his easy
chair, but well muffled up, and submitting to all this as serenely
as if he were used to being served so. One marked feature of
General Grant's character is his exceeding gentleness, goodness,
sweetness. Every time I have been in his presence--lately and
formerly--my mind was drawn to that feature. I wonder it has not
been more spoken of.
Presently he said, let Gerhardt bring in his clay and work there, if
Gerhardt would not mind his reclining attitude. Of course we were
glad. A table for the bust was moved up in front of him; the ladies
left the room; I got a book; Gerhardt went to work; and for an hour
there was perfect stillness, and for the first time during the day
the General got a good, sound, peaceful nap. General Badeau came
in, and probably interrupted that nap. He spoke out as strongly as
the others concerning the great excellence of the likeness. He had
some sheets of MS. in his hand, and said, "I've been reading what
you wrote this morning, General, and it is of the utmost value; it
solves a riddle that has "puzzled men's brains all these years and
makes the thing clear and rational." I asked what the puzzle was,
and he said, "It was why Grant did not immediately lay siege to
Vicksburg after capturing Port Hudson" (at least that is my
recollection, now toward midnight, of General Badeau's answer).
The little bust of Grant which Gerhardt worked on that day was widely
reproduced in terra-cotta, and is still regarded by many as the most
nearly correct likeness of Grant. The original is in possession of the
General Grant worked industriously on his book. He had a superb memory
and worked rapidly. Webster & Co. offered to supply him with a
stenographer, and this proved a great relief. Sometimes he dictated ten
thousand words at a sitting. It was reported at the time, and it has
been stated since, that Grant did not write the Memoirs himself, but only
made notes, which were expanded by others. But this is not true.
General Grant wrote or dictated every word of the story himself, then had
the manuscript read aloud to him and made his own revisions. He wrote
against time, for he knew that his disease was fatal. Fortunately the
lease of life granted him was longer than he had hoped for, though the
last chapters were written when he could no longer speak, and when
weakness and suffering made the labor a heavy one indeed; but he never
flinched or faltered, never at any time suggested that the work be
finished by another hand.
Early in April General Grant's condition became very alarming, and on the
night of the 3d it was believed he could not live until morning. But he
was not yet ready to surrender. He rallied and renewed his task; feebly
at first, but more perseveringly as each day seemed to bring a little
added strength, or perhaps it was only resolution. Now and then he
appeared depressed as to the quality of his product. Once Colonel Fred
Grant suggested to Clemens that if he could encourage the General a
little it might be worth while. Clemens had felt always such a reverence
and awe for the great soldier that he had never dreamed of complimenting
"I was as much surprised as Columbus's cook could have been to learn that
Columbus wanted his opinion as to how Columbus was doing his navigating."
He did not hesitate to give it, however, and with a clear conscience.
Grant wrote as he had fought; with a simple, straightforward dignity,
with a style that is not a style at all but the very absence of it, and
therefore the best of all literary methods. It happened that Clemens had
been comparing some of Grant's chapters with Caesar's Commentaries, and
was able to say, in all sincerity, that the same high merits
distinguished both books: clarity of statement, directness, simplicity,
manifest truthfulness, fairness and justice toward friend and foe alike,
soldierly candor and frankness, and soldierly avoidance of flowery
"I placed the two books side by side upon the same level," he said, "and
I still think that they belong there. I learned afterward that General
Grant was pleased with this verdict. It shows that he was just a man,
just a human being, just an author."
Within two months after the agents had gone to work canvassing for the
Grant Memoirs--which is to say by the 1st of May, 1885--orders for sixty
thousand sets had been received, and on that day Mark Twain, in his note-
book, made a memorandum estimate of the number of books that the country
would require, figuring the grand total at three hundred thousand sets of
two volumes each. Then he says:
If these chickens should really hatch according to my account,
General Grant's royalties will' amount to $420,000, and will make
the largest single check ever paid an author in the world's history.
Up to the present time the largest one ever paid was to Macaulay on
his History of England, L20,000. If I pay the General in silver
coin at $12 per pound it will weigh seventeen tons.
Certainly this has a flavor in it of Colonel Sellers, but we shall see by
and by in how far this calculation was justified.
Grant found the society of Mark Twain cheering and comforting, and
Clemens held himself in readiness to go to the dying man at call. On the
26th of May he makes this memorandum:
It is curious and dreadful to sit up in this way and talk cheerful
nonsense to General Grant, and he under sentence of death with that
cancer. He says he has made the book too large by 200 pages--not a
bad fault. A short time ago we were afraid we would lack 400 of
To-day talked with General Grant about his and my first great
Missouri campaign in 1861. He surprised an empty camp near Florida,
Missouri, on Salt River, which I had been occupying a day or two
before. How near he came to playing the devil with his future
Of course Clemens would amuse the old commander with the tale of his
soldiering, how his company had been chased through the brush and mud by
the very announcement that Grant was coming. Some word of this got to
the Century editors, who immediately proposed that Mark Twain contribute
to the magazine War Series the story of his share in the Rebellion, and
particularly of his war relations with General Grant. So the "Private
History of a Campaign that Failed" was prepared as Mark Twain's side-
light on the history of the Rebellion; and if it was not important
history it was at least amusing, and the telling of that tale in Mark
Twain's inimitable fashion must have gone far toward making cheerful
those last sad days of his ancient enemy.
During one of their talks General Grant spoke of the question as to
whether he or Sherman had originated the idea of the march to the sea.
"Neither of us originated the idea of that march. The enemy did it."
Reports were circulated of estrangements between General Grant and the
Century Company, and between Mark Twain and the Century Company, as a
result of the book decision. Certain newspapers exploited and magnified
these rumors--some went so far as to accuse Mark Twain of duplicity, and
to charge him with seeking to obtain a vast fortune for himself at the
expense of General Grant and his family. All of which was the merest
nonsense. The Century Company, Webster & Co., General Grant, and Mark
Twain individually, were all working harmoniously, and nothing but the
most cordial relations and understanding prevailed. As to the charge of
unfair dealing on the part of Mark Twain, this was too absurd, even then,
to attract more than momentary attention. Webster & Co., somewhat later
in the year, gave to the press a clear statement of their publishing
arrangement, though more particularly denying the report that General
Grant had been unable to complete his work.