"As a performer what I want is to be told exactly what to do within a musical ensemble, and to find that by doing it well I help make beautiful music. This is what I ask of my own compositions, those of another composer, and this is what I looked for and found when I studied Balinese and African music. The pleasure I get from playing is not the pleasure of expressing myself, but of subjugating myself to the music and experiencing the ecstasy that comes from being a part of it."
Key Works
1966
Come Out
for tape
 
Melodica
for tape
1967
My Name Is
for 3 or more tape recorders, performers, and audience
 
Violin Phase
for 4 violins or violin and tape
1968
Pendulum Music
for 3 or more microphones, amplifiers, loudspeakers, and performers
1972
Clapping Music, for 2 musicians clapping
1973
Music for Mallet Instruments, Voices and Organ
1976
Music for Eighteen Musicians
1981
Tehillim :
Psalms for 4 sopranos, percussion, woodwinds, electric organ and string quartet