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Site last updated 13 January, 2012
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| Richard Strauss Quotations
- "It is in learning music that many youthful hearts learn to love."
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- "Never look at the trombones. You'll only encourage them."
- - On conducting
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- "I work very long on melodies. The important thing is not the beginning of the melody but its continuation, its development into a fully completed artistic form. "
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- "In any narrative-epic, dramatic, or musical-every word or tone should be like a soldier marching towards the one, common, final goal; conquest of the material. The way the artist makes every phrase of his story such a soldier, serving to unfold it, to support its structure and development, to build plot and counterplot, to distribute light and shade to point incessantly and lead up gradually to the climax-in short, the way every fragment is impregnated with its mission towards the whole, makes up this delicate and so essential objective which we call FORM. "
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- "Next time I shall write a Mozart opera."
- - After the first performance of Elektra.
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- "Gentlemen, there are no difficulties or problems. This opera is a scherzo with a fatal conclusion!"
- - to the orchestra at the first rehearsal of Salome.
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- "Isn't this awfully long?"
- - Said to the first violinist while conducting a performance of his own Der Rosenkavalier.
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- "I was able to compose it, but I'm not able to conduct it yet"
- - after trying to conduct a rehearsal of Elektra
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- "Here rests the honourable and virtuous youth Guntram, singer of love songs who by the symphonic orchestra of his own father was cruelly stricken down. Rest in Peace."
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- "I now comfort myself with the knowledge that I am on the road I want to take,
fully conscious that there never has been an artist not considered crazy by thousands of his fellow men."
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- "What I'd like best of all, time and again, would be to set myself to music."
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- "I am not blessed with long melodies as Mozart was, I only get as far as short themes."
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- "The aria, after all, is the soul of opera."
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- "Don't perspire while conducting - only the audience should get warm."
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- "...where does the kitsch end and the opera begin?"
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- "When I make my way up there [heaven], I hope they'll forgive me if I bring this along too."
- - while holding the score to Die Liebe der Danae after the final dress rehearsal
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